If you are a filmmaker, actor, or want to be a part of that industry, go to this festival. I know it's expensive. Go anyway. You will never find a more golden opportunity to meet, network and learn the ropes.
This year was my first time. I honestly cannot believe I have never been before. Yes, it's expensive. Yes, there are people there so rich and famous you can't even dream of it. But you will be there, amongst it.
Saturday
20.30 pm - We arrive in the rain. Pouring, dashing, clashing, spattering rain. The plane bounces down through the clouds like a rickety 1925- model, the french schoolkids on board helpfully screaming with each bounce.
The pilot brings us safely down though, and rather amusedly says "Enjoy the riviera and the sun."
2100 -Not even on the bus, we run into some other UK filmmakers, one of which the Englishman knows from before. They have a bagfull of DVD's and booze. I'm starting to get the idea.
21.50- we arrive in Juan Les Pins, which I last saw age 14 with my parents. We desperately try to find some food, but the riviera acting like a prissy maid in the rain, and everyone has gone home early. We find one restaurant that takes pity, and serve us some salad and warming carbonara with un carafe du vin rouge Provencal. The waiter laughs when we ask for a taxi - our hotel is around the corner.
2300- The girl at the hotel is swedish. The hotel is small, but it has a pool, a back garden and the room has a fridge and a better bed than our greek 5 star hotel. Night!
Sunday -
I get my dream fulfilled of continental breakfast. A little brasserie serves us orange juice, pain chocolat, baguette and jam, and omelette with Brie for the Englishman. And then we notice we are sitting next to Irvine Welsh (Trainspotting writer.) The Cannes festival places you in the midst of a Hollywood party.
1200 - The train to Cannes is very delayed. Instead we sit in the sun and listen to a swedish filmmaker I can't make out who is, but since he is moving big meetings around I'm assuming he's important. He has his wife with him, the first of many husband/wife producer/director teams we see. I like.
1300 - The train takes five minutes. We easily locate the Croisette, and the Palais du Festival. You know, that place with the red carpet stairs you see on TV. I grin from ear to ear. The streets are filled with people of all ages trying to snap a picture of a favourite celeb. We find the late accreditation offices, where you have to go if you might have messed up getting your accreditation in time. We get day passes, and proceed through the pavillions. Each country has a pavillion, sort of a display of that country's filmmaking chops. Some are huge, some are small. The bigger ones are visited by agents, casting directors and experienced filmmakers who do talks about subjects you want to know more about. We went to one regarding attaching finance and a star to your movie, where the speakers were Cassian Elwes, Derek Power and three incredible american and French female agents.
1500- Hunger. We find lunch. It's ridiculously expensive, as is everything here. Every restaurant proprieteur, bar and establishment has racked it up for these 10 days.
1800- We meet a friend from a reputable PR company. She is here with The Hunger Games and a few other films. She has worked about 9 people's jobs non stop for 3 days and has about 30 minutes before she is whisked away from the bar, where Clive Owen is also sat. With her PR outfit and my skimpy dress it looks like she is bringing me down the croisette to a red carpet event. If only...
The skimpy dress is cold, by the way. The weather has improved, but not much.
2100- At the Carlton Hotel. Why we chose the two most ludicrous hotels is a mystery perhaps. The kind of place you buy some diamonds in between enjoying your 30$ cocktails.
2105- The water costs 8 Euro. I don't know what to say to that.
2115- Oh look, Eva Longoria. Surrounded by an entourage of 6.
2300 - We are invited to the Fox party but are knackered to bits and decide to leg it home. Not sure about that one in hindsight. But as I explain to the Englishman - it's easy for blokes - jeans, a nice shirt and blazer, ready to go. Girls have to freeze in skimpy dresses and have our hair blown to bits by the wind, suffering in towering heels we can't really walk in at the same time as carrying a huge tote bag full of a change of clothes, flat shoes, makeup, wipes, hairbrush, pins, cards...we find a late night pizza place. I have had more carbs in 2 days than in the last 2 years. We tumble into bed with aching feet and sleep instantly.
Monday
I want to live here. Not here maybe, but Nice - a big city, only better wine, food, language and weather. Hilariously the French and English seem to be locked in this permanent arrogant battle of not learning each other's languages, and ancient battle the Englishman might have had to swallow if moving here.
0900- Fresh and ready, after more croissants and baguettes at the hotel, we turn up fit for fighting.
1200 -Marchee du Film. This is the marketplace, where across three floors, all countries try and sell/distribute their films, or people come to meet them to sell their own. Stand after stand decorated with posters. Some are teeming, others have one sleepy attendant who looks like he's been there all night.
1400 - Lunch with Prince Randy from Black Lion Entertainment. We go to a sushi place, where they have run out of sushi. Eh? We move on to another cafe, where the wind is so strong the salad leaves fly off the plates. Which is kind of half my meal, even though it was 14 Euro. You gotta laugh.
1600 - Rounds in the pavillions. Talks. Too many free drinks.
1700- Back to Marchee du film. Meet people who want to see our material. Exchange of cards. I change into evening dress. Squeezing into a sausage skin like dress in a tiny smelly loo cubicle is not the height of glamour, but at least I try to look the part when I come out. My wedge platform shoes are almost walkable.
1800 - Free drinks at Russian Pavillion with some lovely ladies from a Geordie musical film and our casting director Andy Fawn plus a director he's working with.
00:something - In the taxi queue we meet another husband/wife team. A proper old timer who is here to sell his latest film. It's incredible - Cannes and it's neighbouring towns are just exclusively populated by filmmakers. I never want to leave. It's just so much fun to be able to talk about the thing you love 24/7, though I suspect it would become tedious at length.
Ja'ime bien le Red carpet! Though it looks like I'm slightly bored??
Tuesday
11:00 Late start. We both feel battered - is it all the walking? The constant music and talk about yourself? Who knows, but we are keen to make the most of the last day.
1200 - If I have learnt one thing, it's don't buy breakfast, lunch or drinks. All of that you can get if you hang around enough tents.
1300- Found the Norwegian tent! They have waffles!
1400- Had lunch. Met producer. Went to Marchee du Film and have meeting with distributor.
1500- Meeting in the Kenyan pavillion about Stonetown pilot. They love our show. This could be genuinely brilliant. We steal chairs from Nigeria.
1600- Happy hour in Norwegian tent. Networking to high heavens. I meet some awesome guys from Filmcamp, an all-in studio and facilitator up in the north of Norway. We skip between the Norwegian and Finnish pavillion.
1800 - Hmmm. A lotof booze and not much fod. Slghtli drnk now. Mre netwroking. Oh, look, the head of Norwegian film comission. He's nice. I met some agents too. Why do people keep bringing delicious little cake things and more booze? Any sort of diet here is impossible.
2000- A swish by the Polish tent. They have squeezy balls. The South African tent has mini stitched love letters and embroidered hair stuff though, so they win. We go to have dinner. We almost miss the Great Gatsby Fireworks, and realise how close we are to Leo Dicaprio and Harvey Weinstein. So close...
2200- American tent party. Good DJ. We don't have a hotel room tonight. Did I forget to metion that? We don't. We took a later flight and neglected that bit. Wich means we have to party all night.
00:00- Oppa gagnam style!!
0100: The Majestic. Almost sober again now. As well; the booze here is LOLZ expensive. I meet actress Serina Lorien who is totally awesome, and a brilliant filmmaker named Dan. Dan is the most chatty, happy-go-lucky director I have ever met. He is also a business genius and tells us a story of how he rented a cinema for a week to show his trailer for a low budget film he made. He bought a film, which didn't cost much in this small town, showed it for a week and thus was able to choose his own trailer. Oh, and he made 10.000 more on the tickets than he used to make his movie. So he made 10 grand promoting his film. This guy is a genius.
0200- A lot of extremely tall, Russian, extremely made up, extremely pretty ladies arrive. Along with a lot of extremely rich, bald, fat men. Hmm. Some business deal is going down here, and it aint filmmaking.
A buyer who knows Dan rocks up and tells us he just bought 5 films. He's wondering where the Russian ladies are and enquires whether I might be one of them. I am not.
0300- Crepe queue! All of Cannes is here in a tiny square where they have hot dogs and crepes.
In the queue I meet the Norwegian producers I've been looking for for 3 days. I love this place!
0400- Ok, tired now. Tea.
Wednesday
0500 - I suppose it's been wednesday for a while already. We find the train to Juan Les Pins. A gang of rough teens also find it. They are about 8 in the gang, menacing and look like they are spoiling for a fight. We are too tired to worry about being robbed so move to another carriage, where we meet an entertainment lawyer. We've met the lot then - Directors, producers, actors, buyers, distributors, sales agents - and a lawyer.
We shudder back to the hotel in the grey dawn, change clothes, brush our fuzzy teeth, pick up our bags and head out for some sun loungers. It's way to cold though, so instead we sneak down into some sofas on a beach cafeteria and sleep there till about 9. The staff who start arriving eye us suspiciously, but The Englishman confidently flashes his Cannes badge. I prepare for some embarassment, but for some reason it works. They shrug, as if they know full well all the idiots who roll in from Cannes drunk and fall asleep on their beach this time of the year.
The weather has decided to be amazing on the day we leave. We sleep to the sound of lapping seas, I venture out in the water and quickly decide it's pretty brisk. We choose a lunch of paella at a charming, dusty little cafe with nothing but an old man stirring a huge dish of the sticky seafood dish. It's salty, fresh and satisfying. We don't want to leave.
But at least we are prepped for next year. My business card holder is full to bursting. Au revoir, Cannes! A bientot!
This year was my first time. I honestly cannot believe I have never been before. Yes, it's expensive. Yes, there are people there so rich and famous you can't even dream of it. But you will be there, amongst it.
Saturday
20.30 pm - We arrive in the rain. Pouring, dashing, clashing, spattering rain. The plane bounces down through the clouds like a rickety 1925- model, the french schoolkids on board helpfully screaming with each bounce.
The pilot brings us safely down though, and rather amusedly says "Enjoy the riviera and the sun."
2100 -Not even on the bus, we run into some other UK filmmakers, one of which the Englishman knows from before. They have a bagfull of DVD's and booze. I'm starting to get the idea.
21.50- we arrive in Juan Les Pins, which I last saw age 14 with my parents. We desperately try to find some food, but the riviera acting like a prissy maid in the rain, and everyone has gone home early. We find one restaurant that takes pity, and serve us some salad and warming carbonara with un carafe du vin rouge Provencal. The waiter laughs when we ask for a taxi - our hotel is around the corner.
2300- The girl at the hotel is swedish. The hotel is small, but it has a pool, a back garden and the room has a fridge and a better bed than our greek 5 star hotel. Night!
Sunday -
I get my dream fulfilled of continental breakfast. A little brasserie serves us orange juice, pain chocolat, baguette and jam, and omelette with Brie for the Englishman. And then we notice we are sitting next to Irvine Welsh (Trainspotting writer.) The Cannes festival places you in the midst of a Hollywood party.
1200 - The train to Cannes is very delayed. Instead we sit in the sun and listen to a swedish filmmaker I can't make out who is, but since he is moving big meetings around I'm assuming he's important. He has his wife with him, the first of many husband/wife producer/director teams we see. I like.
1300 - The train takes five minutes. We easily locate the Croisette, and the Palais du Festival. You know, that place with the red carpet stairs you see on TV. I grin from ear to ear. The streets are filled with people of all ages trying to snap a picture of a favourite celeb. We find the late accreditation offices, where you have to go if you might have messed up getting your accreditation in time. We get day passes, and proceed through the pavillions. Each country has a pavillion, sort of a display of that country's filmmaking chops. Some are huge, some are small. The bigger ones are visited by agents, casting directors and experienced filmmakers who do talks about subjects you want to know more about. We went to one regarding attaching finance and a star to your movie, where the speakers were Cassian Elwes, Derek Power and three incredible american and French female agents.
1500- Hunger. We find lunch. It's ridiculously expensive, as is everything here. Every restaurant proprieteur, bar and establishment has racked it up for these 10 days.
1800- We meet a friend from a reputable PR company. She is here with The Hunger Games and a few other films. She has worked about 9 people's jobs non stop for 3 days and has about 30 minutes before she is whisked away from the bar, where Clive Owen is also sat. With her PR outfit and my skimpy dress it looks like she is bringing me down the croisette to a red carpet event. If only...
The skimpy dress is cold, by the way. The weather has improved, but not much.
2100- At the Carlton Hotel. Why we chose the two most ludicrous hotels is a mystery perhaps. The kind of place you buy some diamonds in between enjoying your 30$ cocktails.
2105- The water costs 8 Euro. I don't know what to say to that.
2115- Oh look, Eva Longoria. Surrounded by an entourage of 6.
2300 - We are invited to the Fox party but are knackered to bits and decide to leg it home. Not sure about that one in hindsight. But as I explain to the Englishman - it's easy for blokes - jeans, a nice shirt and blazer, ready to go. Girls have to freeze in skimpy dresses and have our hair blown to bits by the wind, suffering in towering heels we can't really walk in at the same time as carrying a huge tote bag full of a change of clothes, flat shoes, makeup, wipes, hairbrush, pins, cards...we find a late night pizza place. I have had more carbs in 2 days than in the last 2 years. We tumble into bed with aching feet and sleep instantly.
Monday
I want to live here. Not here maybe, but Nice - a big city, only better wine, food, language and weather. Hilariously the French and English seem to be locked in this permanent arrogant battle of not learning each other's languages, and ancient battle the Englishman might have had to swallow if moving here.
0900- Fresh and ready, after more croissants and baguettes at the hotel, we turn up fit for fighting.
1200 -Marchee du Film. This is the marketplace, where across three floors, all countries try and sell/distribute their films, or people come to meet them to sell their own. Stand after stand decorated with posters. Some are teeming, others have one sleepy attendant who looks like he's been there all night.
1400 - Lunch with Prince Randy from Black Lion Entertainment. We go to a sushi place, where they have run out of sushi. Eh? We move on to another cafe, where the wind is so strong the salad leaves fly off the plates. Which is kind of half my meal, even though it was 14 Euro. You gotta laugh.
1600 - Rounds in the pavillions. Talks. Too many free drinks.
1700- Back to Marchee du film. Meet people who want to see our material. Exchange of cards. I change into evening dress. Squeezing into a sausage skin like dress in a tiny smelly loo cubicle is not the height of glamour, but at least I try to look the part when I come out. My wedge platform shoes are almost walkable.
1800 - Free drinks at Russian Pavillion with some lovely ladies from a Geordie musical film and our casting director Andy Fawn plus a director he's working with.
00:something - In the taxi queue we meet another husband/wife team. A proper old timer who is here to sell his latest film. It's incredible - Cannes and it's neighbouring towns are just exclusively populated by filmmakers. I never want to leave. It's just so much fun to be able to talk about the thing you love 24/7, though I suspect it would become tedious at length.
Ja'ime bien le Red carpet! Though it looks like I'm slightly bored??
Tuesday
11:00 Late start. We both feel battered - is it all the walking? The constant music and talk about yourself? Who knows, but we are keen to make the most of the last day.
1200 - If I have learnt one thing, it's don't buy breakfast, lunch or drinks. All of that you can get if you hang around enough tents.
1300- Found the Norwegian tent! They have waffles!
1400- Had lunch. Met producer. Went to Marchee du Film and have meeting with distributor.
1500- Meeting in the Kenyan pavillion about Stonetown pilot. They love our show. This could be genuinely brilliant. We steal chairs from Nigeria.
1600- Happy hour in Norwegian tent. Networking to high heavens. I meet some awesome guys from Filmcamp, an all-in studio and facilitator up in the north of Norway. We skip between the Norwegian and Finnish pavillion.
1800 - Hmmm. A lotof booze and not much fod. Slghtli drnk now. Mre netwroking. Oh, look, the head of Norwegian film comission. He's nice. I met some agents too. Why do people keep bringing delicious little cake things and more booze? Any sort of diet here is impossible.
2000- A swish by the Polish tent. They have squeezy balls. The South African tent has mini stitched love letters and embroidered hair stuff though, so they win. We go to have dinner. We almost miss the Great Gatsby Fireworks, and realise how close we are to Leo Dicaprio and Harvey Weinstein. So close...
2200- American tent party. Good DJ. We don't have a hotel room tonight. Did I forget to metion that? We don't. We took a later flight and neglected that bit. Wich means we have to party all night.
00:00- Oppa gagnam style!!
0100: The Majestic. Almost sober again now. As well; the booze here is LOLZ expensive. I meet actress Serina Lorien who is totally awesome, and a brilliant filmmaker named Dan. Dan is the most chatty, happy-go-lucky director I have ever met. He is also a business genius and tells us a story of how he rented a cinema for a week to show his trailer for a low budget film he made. He bought a film, which didn't cost much in this small town, showed it for a week and thus was able to choose his own trailer. Oh, and he made 10.000 more on the tickets than he used to make his movie. So he made 10 grand promoting his film. This guy is a genius.
0200- A lot of extremely tall, Russian, extremely made up, extremely pretty ladies arrive. Along with a lot of extremely rich, bald, fat men. Hmm. Some business deal is going down here, and it aint filmmaking.
A buyer who knows Dan rocks up and tells us he just bought 5 films. He's wondering where the Russian ladies are and enquires whether I might be one of them. I am not.
0300- Crepe queue! All of Cannes is here in a tiny square where they have hot dogs and crepes.
In the queue I meet the Norwegian producers I've been looking for for 3 days. I love this place!
0400- Ok, tired now. Tea.
Wednesday
0500 - I suppose it's been wednesday for a while already. We find the train to Juan Les Pins. A gang of rough teens also find it. They are about 8 in the gang, menacing and look like they are spoiling for a fight. We are too tired to worry about being robbed so move to another carriage, where we meet an entertainment lawyer. We've met the lot then - Directors, producers, actors, buyers, distributors, sales agents - and a lawyer.
We shudder back to the hotel in the grey dawn, change clothes, brush our fuzzy teeth, pick up our bags and head out for some sun loungers. It's way to cold though, so instead we sneak down into some sofas on a beach cafeteria and sleep there till about 9. The staff who start arriving eye us suspiciously, but The Englishman confidently flashes his Cannes badge. I prepare for some embarassment, but for some reason it works. They shrug, as if they know full well all the idiots who roll in from Cannes drunk and fall asleep on their beach this time of the year.
The weather has decided to be amazing on the day we leave. We sleep to the sound of lapping seas, I venture out in the water and quickly decide it's pretty brisk. We choose a lunch of paella at a charming, dusty little cafe with nothing but an old man stirring a huge dish of the sticky seafood dish. It's salty, fresh and satisfying. We don't want to leave.
But at least we are prepped for next year. My business card holder is full to bursting. Au revoir, Cannes! A bientot!






